Randy Crawford Joe Sample Feeling Good Rar

Randy Crawford Joe Sample Feeling Good Rar Average ratng: 10,0/10 1978reviews. Artist: Randy Crawford & Joe Sample Title Of Album:.

MP3 .rar: 1779 mb APE/FLAC .rar: 1882 mb
Performer: Randy Crawford
Album Title: Feeling Good
Label: P.R.A. Records ‎– PRA-60207-2
Type: CD
Country:
Date of released: 19 Jul 2006
Category: Electronic
Style: Soul-Jazz, Smooth Jazz, Fusion, Ballad, Soul
Category: Electronic
Rating: 4.1
Votes: 348
Other Format: MPC MMF ASF WAV APE TTA XM

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's and 's musical paths have been intertwined for 36 years; they began with his keyboard work on her debut album in 1976. She returned the favor a couple of years later with her vocal on the ' 1978 smash 'Street Life.' The pair have worked together intermittently since then, but only formally recorded as a dual entity on 2007's, a collection of (mostly) jazz tunes and standards. They followed it with in 2008, a collection of blues, soul, and pop tunes. Both albums were highly regarded critically. 's piano was aided by drummer and bassist.

Was recorded on various European stages between October and December of 2008, immediately prior to and just after the release of. Is present here, but it is 's son Nicklas in the upright bass chair. The impeccably recorded program is drawn from both albums and then some. Beginning with an in-the-pocket read of 'Everyday I Have the Blues,' and continuing with standards from the jazz, blues, and soul books, the set is well-sequenced and feels very much like a seamless live date.

There's an excellent, jazzed-up reading of 'Street Life' surprisingly enough, and a shimmering take on 's 'Rainy Night in Georgia' (that features quoting from ' 'Hard Times' in his vamps and fills. There's also moving a version of ' 'This Bitter Earth' (first recorded by in 1960). The tunes that reflect the depth of 's and 's musical relationship best, however, are in her 'Almaz,' and 's 'One Day I'll Fly Away.' On the former, 's vocal is haunting, spare, intimate; it is underscored by 's elegant playing with its restrained harmonics and Spanish tinge. The latter tune was more risky. Given that the song was a hit for and is her best-known tune, the bubbling bassline and lush strings are parts of its signature.

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Stripping all that back for this piano-trio setting meant letting the tune's simple melody be the sole anchor for its smoldering emotion. Deliberately understates it. Responds by filling the spaces with poetic economy and a new version emerges that is every bit as resonant.

While is a further inscription in the collaborative book authored by and, it is more, too: a classy, soulful example of inspired musicmaking.